Steven Spielberg’s most personal film went against the trend of other alien invasion movies by other filmmakers; unlike other popular movies of the genre like War of the Worlds or Alien, E.T.: The Extra-Terrestrial featured aliens who, similar to Spielberg’s other movie Close Encounters of the Third Kind, don’t want to hurt humans. To create this non-threatening lovable alien adopted by a lonely boy, the designer for E.T. took inspiration from wise old people like Albert Einstein, with the alien voice provided by an elderly woman whose voice afterward was electronically modified and mixed with animal sounds. On set, many techniques were utilized to bring him to life, such as hiring a mime to control his hands, yet at other times, the E.T. puppet had to be controlled entirely by wires and computers.
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It may have been a kids’ movie, but Steven Spielberg understood what kind of film he was working on and spoke to the kid actors at their level. He did this by keeping the order of scenes filmed throughout production chronological to the story’s timeline so the kid actors wouldn’t be confused—the kids weren’t even told what would happen next in the story until the day of shooting each scene. And it all worked out: this nostalgic portrait of the 1980s suburb is one of the most influential movies of the decade and made possible many of the sci-fi movies of today.

PG (DL)
Sci-fi
1 hr. 55 min.

Watch it for FUN.
​Watch it to feel HAPPY, SAD and AFRAID.

This first ever “high school musical” redefined cinematic musicals with its roller coaster of an experience that anyone can sing along to. Up until the 1970s, Hollywood musicals were known for their squeaky-clean adaptations of the classics, like The Sound of Music or Mary Poppins; any more mature musicals like Cabaret or The Rocky Horror Picture Show were not designed for the masses. Grease on the other hand went against the grain by focusing on teenagers in the 1950s, with music from the culture, and numerous sexual references that could only be made in the ratings system era. The result of this daring direction entertained all the teenagers of the time who wanted something which spoke directly to them, striking that balance between mature content and wide mass appeal.
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While not a “good” movie by any stretch, this grand achievement in writing more modern music for a more modern musical film paved the way for what types of motion pictures people wanted to see. G-rated family fare like Willy Wonka and the Chocolate Factory weren’t really “cool” anymore, just like the rest of the 1970s in Hollywood, the musical genre was growing up, and now even Broadway is willing to make more entertainment exclusively for the adults. The main takeaway isn’t just that daring content will leave an impact, but that anything with catchy songs and a nostalgic time period will more likely entertain the masses.

PG (DLS)
Musical/Historic
1 hr. 50 min.

Watch it for FUN.
​Watch it to feel HAPPY.

Director Domee Shi, in her feature film debut, demonstrates how well she can translate live-action filmmaking techniques into animation and take full advantage of the animation medium. She sustains a very balanced use of color where the school looks fluorescent green, which contrasts with the red on Meilin when she turns into a red panda. Other creative touches take direct inspiration from anime, which goes on to influence the music, action poses, and adorable, highlighted eyes. It's incredible how brave Pixar has become at this point to utilize such stylized animation in a way that doesn’t distract from the story.
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In regard to the subject matter, Meilin’s body is going through unusual changes, and her parents and friends remain so supportive of her. Meilin is a rather complex main character for a family film; she genuinely wants to prioritize family yet at the same time sees a boy band concert as her coming-of-age ritual. The story of this Chinese-Canadian tween is made even more special by the fact that it was directed by a Chinese-Canadian woman, who in turn tastefully explores the issues that come with a Chinese family moving into a new country, particularly in how it causes tension across generations. Bottom line: Turning Red is exactly what Disney needs right now to appeal to more mature audiences and represent more minority groups who need their stories to be heard.

PG (DV)
Comedy/Fantasy
1 hr. 40 min.

Watch it for FUN.
​Watch it to feel HAPPY and SAD.

Complete with its new technological breakthroughs that shall soon change the animation industry, Encanto is familiar yet far more sophisticated than any average motion picture produced by Disney. The lighting is more natural. The animation is more human. The magic is more magical. It’s a compilation of so many talents that bring every musical number to life. The already famous “We Don’t Talk About Bruno” sequence contains so many layers behind how the characters move, even with the way their fingers fly around. Breaking down the choreography of this number reveals everything needed to know about what each member of the family Madrigal ultimately wants, and in the end of the movie, those arcs are fully realized.

As if the attention to detail wasn’t impressive enough, reference footage was filmed of human dancers to help the animators create extravagant musical numbers that are as energetic as a real cumbia. It feels special because Walt Disney also used live references to inspire his animators, whether it was bringing real deer into the studio for the artists of Bambi, or having Helene Stanley dance for the artists of Sleeping Beauty. The challenges surpassed by this ambitious project of 2021 honor the past and offer hope for the future, which guarantees that not a single dry eye will remain in the audience by the end, and makes Disney’s 60th animated feature film a great time!

PG (D)
Fantasy/Musical
1 hr. 42 min.

Watch it for FUN.
​Watch it to feel HAPPY and SAD.

Sound of Metal is the kind of low-budget movie that knows exactly how to promote self-acceptance, and it does so via the story of a man who lives a nomadic band lifestyle until he must adjust to his permanent hearing loss. Riz Ahmed plays this role to absolute perfection as he captures the frustration behind the man’s unfortunate predicament, while Paul Raci, who in real life is a child of deaf adults, plays his new mentor, and a cast of deaf actors plays the members of the Deaf community. There’s a great understanding of this community, that these sorts of people don’t despise their condition, but rather recognize the benefits that it offers.
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To further demonstrate the eye-level approach that director Darius Marder took with the Deaf community, he along with cinematographer Daniël Bouquet effectively frames the ASL communication as the sound design masterfully depicts what the world sounds like to a deaf person. It’s not like the loud concert scenes shown toward the start of the movie, the overall experience results in a careful meditation about the power of noise. It speaks directly to the minority group in focus and makes it accessible for both them and Hearing people to understand. It’s a celebration of Deaf culture while also a work of art that begs those with hearing to question, “If this happened to me, what would I do about it?”

R (DLSN​)
Drama
2 hr.

Watch it to THINK.
​Watch it to feel SAD.

The two leads, Gary (15 years old) and Alana (25 years old), share an absolutely irresistible chemistry with one another that generates a careful ebb-and-flow of tension throughout the film. Gary feels sexually drawn to this woman who’s a full decade older than himself and tries to sound older than his age while motivated by his lustful puppy love. Whereas Alana knows how to describe a water bed to make it sound sexual, making her the perfect counterpart to Gary. The witty screenplay does more than just create engaging dialogue—it comments on the gas shortage crisis, which feels uncomfortably similar to today’s issues of limited natural resources.
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With more social themes like that explored, as well as the subtle use of fashion, director Paul Thomas Anderson makes everything about Licorice Pizza just scream the 1970s. The layers of authenticity lead to the credibility of the unbelievable story, and with the pitch-perfect acting, it could almost pass as a dramatized documentary. Overall, this work is pure genius; Paul Thomas Anderson mixes together these ingredients that to a sane person sound repulsive and makes them work in a way that bursts your bubble about our economy’s health, which in fact hasn’t changed much over the past fifty years. Other directors have managed to argue why pineapple on a pizza works, but Anderson used this movie of his to prove how licorice on pizza could work.

R (DLS​)
Comedy/Drama
2 hr. 13 min.

Watch it to THINK.
​Watch it to feel HAPPY.

It was first a 2010 short film, then shortly after, it became a children’s book, and now, it’s the most adorable stop-motion movie ever made, as well as the most technologically ambitious. While films in the past have put hand-drawn animation over live-action before, and CGI characters are currently everywhere, never before has stop-motion puppetry been used to this detailed of an extent with technology that’s well ahead of its time. This medium of animation is known for being such an enormous task, and sure enough, this little movie was so complex that it took the storyboard artists three years to create the animatic.
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When creating the props for the film shoot, anything that the cute little shell interacted with had to be either rigged with materials that could be animated or remade from scratch with bendable materials. These props included plants, a couch, and even the dust on a table while these little characters were ice skating on top of it. The animated components in each frame had to be filmed separately from the live-action environment, meaning before they were combined in post-production, they had to match one another perfectly in light, composition, and even camera focus. No other movie exists like Marcel the Shell with Shoes On, and in time, it should pick up momentum and go on to inspire other special effects artists as they acquire a plethora of brand-new tools in their toolkits.

PG (D)
Comedy/Fantasy
1 hr. 30 min.

Watch it for FUN.
Watch it to feel HAPPY and SAD.

There’s a lot of talent to be found in this refreshing Hollywood musical: singing, dancing, rapping, break dancing, tricks with sparklers, and even twisting double-jointed arms! Part of what makes this adaptation of the Tony-winning musical work so well is how the studio brought back cast members from the original stage production and combined them with fresh faces. Another part is how the clever cinematic tricks take advantage of the two-dimensional cinematic medium, doing all that can’t be done on stage while choreographing the irresistibly fun songs. These tricks include symmetrical aerial shots of a swimming pool party, illuminated costumed dancers in a train station, gravity defied on the wall of a building at sunset, and cold light that sparkles during a blackout.

The dense, almost overwhelming spectacle is a strong demonstration of how grand Hollywood musicals can be nowadays as compared to eighty or even ten years ago. Instead of prioritizing household names that can’t sing or dance like what other musicals have done for as long as sound has been a part of cinema, everyone in this cast can sing and dance extraordinarily well. It also doesn’t stumble into the trap of existing just for the purpose of showcasing the singing and dancing skills of a certain celebrity, like what films throughout the Golden Age of Hollywood had done. In the Heights instead has a clear, distinct purpose behind its story about representation.​

PG-13 (DLS)
Musical
2 hr. 23 min.

Watch it for FUN.
Watch it to feel HAPPY and SAD.