Steven Spielberg’s most personal film went against the trend of other alien invasion movies by other filmmakers; unlike other popular movies of the genre like War of the Worlds or Alien, E.T.: The Extra-Terrestrial featured aliens who, similar to Spielberg’s other movie Close Encounters of the Third Kind, don’t want to hurt humans. To create this non-threatening lovable alien adopted by a lonely boy, the designer for E.T. took inspiration from wise old people like Albert Einstein, with the alien voice provided by an elderly woman whose voice afterward was electronically modified and mixed with animal sounds. On set, many techniques were utilized to bring him to life, such as hiring a mime to control his hands, yet at other times, the E.T. puppet had to be controlled entirely by wires and computers.
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It may have been a kids’ movie, but Steven Spielberg understood what kind of film he was working on and spoke to the kid actors at their level. He did this by keeping the order of scenes filmed throughout production chronological to the story’s timeline so the kid actors wouldn’t be confused—the kids weren’t even told what would happen next in the story until the day of shooting each scene. And it all worked out: this nostalgic portrait of the 1980s suburb is one of the most influential movies of the decade and made possible many of the sci-fi movies of today.

PG (DL)
Sci-fi
1 hr. 55 min.

Watch it for FUN.
​Watch it to feel HAPPY, SAD and AFRAID.

This first ever “high school musical” redefined cinematic musicals with its roller coaster of an experience that anyone can sing along to. Up until the 1970s, Hollywood musicals were known for their squeaky-clean adaptations of the classics, like The Sound of Music or Mary Poppins; any more mature musicals like Cabaret or The Rocky Horror Picture Show were not designed for the masses. Grease on the other hand went against the grain by focusing on teenagers in the 1950s, with music from the culture, and numerous sexual references that could only be made in the ratings system era. The result of this daring direction entertained all the teenagers of the time who wanted something which spoke directly to them, striking that balance between mature content and wide mass appeal.
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While not a “good” movie by any stretch, this grand achievement in writing more modern music for a more modern musical film paved the way for what types of motion pictures people wanted to see. G-rated family fare like Willy Wonka and the Chocolate Factory weren’t really “cool” anymore, just like the rest of the 1970s in Hollywood, the musical genre was growing up, and now even Broadway is willing to make more entertainment exclusively for the adults. The main takeaway isn’t just that daring content will leave an impact, but that anything with catchy songs and a nostalgic time period will more likely entertain the masses.

PG (DLS)
Musical/Historic
1 hr. 50 min.

Watch it for FUN.
​Watch it to feel HAPPY.

Based on the book, “I Heard You Paint Houses” by Charles Brandt, The Irishman covers over fifty years of the life of Frank Sheeran. Rather than casting different actors to play the characters as they age, or resorting to old-age makeup prosthetics, director Martin Scorsese did the reverse: use innovative de-aging technology on Robert DeNiro, Joe Pesci, and Al Pacino. The main approach to pulling this off was by using three cameras built into one, ergo, two of these cameras were infrared, and they were placed on either side of the main camera, which helped remove the shadows and made the de-aging process easier for the VFX artists.
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Scorsese knew that any use of motion capture dots would only hinder the performances, so he instead omitted any use of them to have everyone act on set as is. The only time modifications were made on set for the actors’ faces was by adding tiny reflectors on the faces and costumes that were meant for the infrared cameras to pick up as reference points. Then as the de-aging process went on, the VFX crew spent two years watching reference footage of DeNiro, Pesci, and Pacino’s younger years. The result is a lovely compilation of the successes of Scorsese and the three main actors over their entire careers, one that pays tribute to the old and opens up the exciting potential for this new technology.

R (DLV)
Crime/Drama
3 hr. 29 min.

Watch it for FUN.
​Watch it to feel HAPPY.

Director Domee Shi, in her feature film debut, demonstrates how well she can translate live-action filmmaking techniques into animation and take full advantage of the animation medium. She sustains a very balanced use of color where the school looks fluorescent green, which contrasts with the red on Meilin when she turns into a red panda. Other creative touches take direct inspiration from anime, which goes on to influence the music, action poses, and adorable, highlighted eyes. It's incredible how brave Pixar has become at this point to utilize such stylized animation in a way that doesn’t distract from the story.
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In regard to the subject matter, Meilin’s body is going through unusual changes, and her parents and friends remain so supportive of her. Meilin is a rather complex main character for a family film; she genuinely wants to prioritize family yet at the same time sees a boy band concert as her coming-of-age ritual. The story of this Chinese-Canadian tween is made even more special by the fact that it was directed by a Chinese-Canadian woman, who in turn tastefully explores the issues that come with a Chinese family moving into a new country, particularly in how it causes tension across generations. Bottom line: Turning Red is exactly what Disney needs right now to appeal to more mature audiences and represent more minority groups who need their stories to be heard.

PG (DV)
Comedy/Fantasy
1 hr. 40 min.

Watch it for FUN.
​Watch it to feel HAPPY and SAD.

Complete with its new technological breakthroughs that shall soon change the animation industry, Encanto is familiar yet far more sophisticated than any average motion picture produced by Disney. The lighting is more natural. The animation is more human. The magic is more magical. It’s a compilation of so many talents that bring every musical number to life. The already famous “We Don’t Talk About Bruno” sequence contains so many layers behind how the characters move, even with the way their fingers fly around. Breaking down the choreography of this number reveals everything needed to know about what each member of the family Madrigal ultimately wants, and in the end of the movie, those arcs are fully realized.

As if the attention to detail wasn’t impressive enough, reference footage was filmed of human dancers to help the animators create extravagant musical numbers that are as energetic as a real cumbia. It feels special because Walt Disney also used live references to inspire his animators, whether it was bringing real deer into the studio for the artists of Bambi, or having Helene Stanley dance for the artists of Sleeping Beauty. The challenges surpassed by this ambitious project of 2021 honor the past and offer hope for the future, which guarantees that not a single dry eye will remain in the audience by the end, and makes Disney’s 60th animated feature film a great time!

PG (D)
Fantasy/Musical
1 hr. 42 min.

Watch it for FUN.
​Watch it to feel HAPPY and SAD.

The two leads, Gary (15 years old) and Alana (25 years old), share an absolutely irresistible chemistry with one another that generates a careful ebb-and-flow of tension throughout the film. Gary feels sexually drawn to this woman who’s a full decade older than himself and tries to sound older than his age while motivated by his lustful puppy love. Whereas Alana knows how to describe a water bed to make it sound sexual, making her the perfect counterpart to Gary. The witty screenplay does more than just create engaging dialogue—it comments on the gas shortage crisis, which feels uncomfortably similar to today’s issues of limited natural resources.
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With more social themes like that explored, as well as the subtle use of fashion, director Paul Thomas Anderson makes everything about Licorice Pizza just scream the 1970s. The layers of authenticity lead to the credibility of the unbelievable story, and with the pitch-perfect acting, it could almost pass as a dramatized documentary. Overall, this work is pure genius; Paul Thomas Anderson mixes together these ingredients that to a sane person sound repulsive and makes them work in a way that bursts your bubble about our economy’s health, which in fact hasn’t changed much over the past fifty years. Other directors have managed to argue why pineapple on a pizza works, but Anderson used this movie of his to prove how licorice on pizza could work.

R (DLS​)
Comedy/Drama
2 hr. 13 min.

Watch it to THINK.
​Watch it to feel HAPPY.

This ambitious study on the unexpected virtue of ignorance tells its story with what is made to look like one long continuous take without any edit cuts. The clever tricks utilized to pull off this illusion included time-lapses to transition to a different time of day and letting objects move across the frame to hide swipe transitions between cuts. These shots lasted anywhere between 9-16 minutes long, and 90% of the film was digitally altered in some way, such as by removing the camera crew from the mirrors the actors constantly looked into. These mirrors were essential to achieve Iñárritu’s vision because they helped crop the actors without needing to cut or change the camera position, doubling as narrative symbolism to represent the ego of whoever is looking into those mirrors.
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Besides being an endeavor for the production crew, this narrative style was also a challenge that stretched the skill of the cast. Michael Keaton and Edward Norton both act their hearts out when they’re together, while Emma Stone delivers a monologue that’s guaranteed to ignite goosebumps. Yet there’s so much more that makes this movie so great: the dialogue is brilliant, the musical drum score is awesome, and the cinematography is among the most gorgeous ever put to film. There’s just so much about Birdman that makes it everything a movie should be, while also being a needed push for the potential of art.

R (DLSV​)
Comedy/Drama
1 hr. 59 min.

Watch it for FUN.
Watch it to THINK.
Watch it to LEARN.
​Watch it to feel HAPPY.

This is certainly the worst of all the Toy Story movies, yet Toy Story 4 still continues the series’ tradition of revolutionizing the animation industry with its technological breakthroughs. The toy characters of course all have their familiar toy-like ways of moving, with the new challenges added from the new set of characters, including Bo Peep’s elaborate stunts, the awkward Forky, the plushy Ducky and Bunny, the creepy Gabby Gabby, and her ventriloquist dummy henchmen. But the animation achievements are far more ambitious than that: The lights from the sun and the carnival all look scarily realistic, which in turn makes the textures on the toys, with all their minuscule scratches, look more lifelike than actual live-action does.

​When creating the antique store, over 10,000 items were built with varying degrees of aging; to complete the atmosphere, new software was developed to create the cobwebs. The camera further pushed for the photorealism by using filming techniques previously only used in live-action; this doesn’t just include the handheld camera system used in previous Pixar films, but also the imitated look of an anamorphic lens. These techniques mean in the near future, the line between animation and live-action could blur to the point where the two sides become indistinguishable from each other. These ambitious strides in utilizing the computer to recreate the real world prove how much more room for growth this beloved franchise has potential for still.

​G
Comedy/Fantasy
1 hr. 43 min.

Watch it for FUN.
Watch it to THINK.
​Watch it to feel HAPPY, SAD, and AFRAID.

It had been eleven years since the second movie, meaning the target audience of the first Toy Story, that being kids born in the early 1990s, were now ready to start college, just like Andy in this movie. Although Toy Story 3 still carries the same old issues of having no logical sense from the past two movies, there are still plenty of wonderful merits at play. For starters, the technology finally passed the point of creating realistic human characters that didn’t appear uncanny, with more controls in each character model than ever before. Yet even with this freedom of giving an impressive range of facial expressions, all the characters, particularly Spanish Buzz and Lotso the teddy bear, still presented their own unique animation challenges.

​Better still, Pixar revolutionized a new system for creating the fabric for clothes, which was important because this movie had three times as many toys as the very first movie. Even the use of lights, camera, and audio was quite ambitious for an animated film, seeing how they all stylistically harkened back to other more mature Hollywood genres, such as prison movies or film noir, while still keeping the playful, adventurous, at times dangerous tone that a Toy Story movie should have. The finished product ended up making multiple generations of people cry, because, in a way, the series had truly grown up with its original audience, and it was time to say goodbye.

G
Comedy/Fantasy
1 hr. 40 min.

Watch it for FUN.
Watch it to THINK.
Watch it to feel HAPPY, SAD, and AFRAID.

Toy Story 2 had to preserve what made Toy Story an instant classic, which wasn’t easy considering the first movie already shook up the entire animation industry. Yet this sequel became an excellent showcase of how much the CGI technology had improved in only four years. The scope is much greater this time around, with the toy characters now going through an apartment complex’s air vents, into a toy store, and on airplane tires! Also noteworthy is the video game-based opening scene where Buzz Lightyear goes on a mission to another planet—a sequence containing multiple lighting and rendering effects the first movie couldn’t achieve.

​Then of course there’s the animation of the toys; every new toy character moves in a way that’s true to the material they’re made from while also matching their personality, the Barbie dolls perhaps being the most hilarious example of the animators’ talent! Though even that wasn’t as tricky as animating the humans, especially since there were more that had to be created in the backgrounds, and with more detail. As a bonus, the adventurous music adds some unexpected emotion backed up by the heart-wrenching song, “When She Loved Me” by Sarah McLachlan. All these components ultimately helped this sequel surpass the quality of the original in virtually every way, proving that animated films could be just as mature as a live-action movie made for adults.

G
Comedy/Fantasy
1 hr. 32 min.

Watch it for FUN.
Watch it to feel HAPPY and SAD.